Tom Krause

  Male      Finnish      Musician

  Born : Jul 05, 1934  -
  Died : Dec 06, 2013

About Author

Tom Gunnar Krause (July 5, 1934 − December 6, 2013) was a Finnish operatic bass-baritone, particularly associated with Mozart roles.

Born in Helsinki, he studied medicine for three years with the intention of becoming a psychiatrist, while singing and playing the guitar in a jazz band, The Jamcats. His vocal talent led him to leave his medical studies for serious voice studies at the Vienna Music Academy. He studied with Margot Skoda, Sergio Nazor, Rudolf Bautz, and Vera Rozsa.

Krause made his operatic debut in Berlin, as Escamillo, in 1959, and quickly gained a reputation in opera and concert throughout Europe and the United States.

He was fluent in seven languages: English, German, French, Italian, Spanish, Swedish and Finnish. During a career spanning over 50 roles in the Italian, German, French, English, Finnish, Czech, Russian, and Swedish repertory including the Baroque, Classical, Romantic and Modern, Mr. Krause appeared in leading roles at most of the great opera houses of the world and regularly performed at the festivals of Bayreuth, Salzburg, Edinburgh, Glyndebourne, Savonlinna, and Tanglewood. A frequent guest soloist in concert, the baritone was heard regularly with the Philadelphia Orchestra, New York Philharmonic, Chicago Symphony, Cleveland Orchestra, Boston Symphony, Los Angeles Philharmonic, Montreal Symphony, Berlin Philharmonic, Vienna Philharmonic, Orchestre National de France, Amsterdam Concertgebow, and others. Mr. Krause regularly shared the stage and recorded with singers as Plácido Domingo, Luciano Pavarotti, Jessye Norman, Kiri Te Kanawa, Joan Sutherland, Birgit Nilsson, Marilyn Horne, Margeret Price, Teresa Berganza, and Nicolai Gedda, as well worked under the baton of Bernstein, Stravinsky, Solti, Von Karajan, Mehta, Ormandy, Shaw, Osawa, Rostropovich, Eschenbach, Conlon, Salonen, Harnoncourt and Giulini, etc. He worked with stage directors such as Ponnelle, Strehler, Faggioni, Sellars, Dresen, Everding, Lieberman, Menotti, and Chereau.

He joined the Hamburg State Opera, where he sang mostly Mozart, Verdi, and Wagner roles, but also such rarities as Rossini's La pietra del paragone and Handel's Jephtha. He began making guest appearances in Munich, Amsterdam, and Brussels, and made his debut in Bayreuth, as the Herald in Lohengrin, in 1962...

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